After his epic Ibis trilogy, a rip-roaring, hugely detailed imagining of the Opium Wars, the Indian writer Amitav Ghosh turns his hand to cli-fi ...
After his epic Ibis trilogy, a rip-roaring, hugely detailed imagining of the Opium Wars, the Indian writer Amitav Ghosh turns his hand to cli-fi ...
Indian novelist AmitavGhosh turns his hand to 'cli-fi' in timely 300-page 'Gun Island'
The reviews are already coming in and AmitavGhosh's new novel "Gun Island," his first in four years, is making waves worldwide.
The reviews are already coming in and AmitavGhosh's new novel "Gun Island," his first in four years, is making waves worldwide.
"This tangled tale takes in the refugee crisis and climate change," says book reviewer Siobhan Murphy in the Times of London, adding: "After his epic Ibis trilogy, a rip-roaring, hugely detailed imagining of the Opium Wars ...Ghosh turns his hand to cli-fi -- climate fiction."
''Gun Island'' blends Bengali folklore with historical and present-day storytelling about "bundookisadagur" (the gun merchant). It's a long, sprawling novel that features locations around the world, and faces up to the themes of climate change and climate refugees.
Standing on stage during a recent promotional event in London, Ghosh, born in 1956 but looking half his age and with an engaging, broad smile and a handsome shock of shiny white hair, gave a brief reading from the beginning pages of the novel, and the 5-minute reading turned out to be a stellar performance by the gifted orator and storyteller. I could have listened to the entire novel spoken out loud by the author, just to hear his wondrous voice and watch his animated face as he tells the tale. If there is to be an audio-book of the novel featuring the author's own magical storytelling voice, sign me up!
"The strangest thing about this strange journey was that it was launched by a word coinage which was in wide circulation from Cairo to Calcutta," Ghosh read from the first part of the novel during his stage reading in London. "That word is 'bundook' which means ''gun'' in many languages, including my own mother tongue, Bengali, Bangla. Nor is the word a stranger to English and by way of British colonial use of the word, ''bundook'' found its way into the Oxford English Dictionary where it was glossed as rifle."
''But there was no rifle or gun on the day this journey began, nor indeed was the word intended to refer to a weapon, and that precisely is why it caught my attention. Because the word in Bengali -- "bundookisadagur" -- could be translated as ''The Gun Merchant.''
''The Gun Merchant entered my life not in Brooklyn where I live and work, but in the city in which I was born and raised, Calcutta.''
''That year, as in many others, I was in Calcutta for much of the winter months for my business. My work as a dealer in rare books and Asian antiquities required me to do a lot of on-site scouting, and since I happened to have a small apartment in Calcutta, the city became a second place for scouting operations for me.
''The day of my return to Brooklyn was almost at hand when I went to the last of my social engagements of the season -- the wedding reception of a cousin's daughter. I had just entered the venue, a stuffy colonial-era club, when I was accosted by a distant relative named KanaiDatta.
"I had not seen Kanai in many years, which was not entirely a matter of regret for me, as he had always been a glib, precocious know-it-all who used his quick tongue and good looks to charm women and get ahead in the world.
''Tell me, Deeno,'' he said, "is it true that you hold yourself up as an expert in Bengali folklore?'' (His almost audible sneer rattled me.)
"Well," I sputtered, "I did some research on that kind of thing a long time ago, but I gave it up when I left academia and became a book dealer."
"But you did get a PhD, did you not?" he said, with barely-concealed derision, "so you are technically an expert."
"I am not an expert..." I started to say but he cut me short.
"So tell me, Mr. Expert," he said, "have you heard of a figure called 'The Gun Merchant'?"
''He had clearly been intending to surprise me, and he succeeded. The name, 'The Gun Merchant,' was so new to me that I was tempted to think that Kanai had made it up...."
When a reporter earlier in the year asked Ghosh what kind of research he put into ''Gun Island," Ghosh replied:
''I did my usual kind of research, I have an obsession with words, so that played a huge part of 'Gun Island.' There is also the sort of research that went into 'The Great Derangement' but the key to the mystery is Gun Island itself, which I can’t give away to you and you will have to read the book."
''Bengali legend blends with contemporary adventure in a novel finding new ways to write about migration and climate breakdown," is how Alex Clark, writing in the UK Guardian newspaper characterized the novel in her thumbs up review.
She added: '''Gun Island' brims with implausibility; outlandish coincidences and chance meetings blend with ancient myth and folklore, tales of heroism and the supernatural set in a contemporary world disrupted by the constant migrations of humans and animals."
The novel is playful, Clark says, noting: "The book is keen to play with its own ridiculousness; as Deen and the professor slowly disinter the likely origins of the novel’s founding myth, their grandiose speculations often call to mind the satirical portrayal of the academic world that one might find in a David Lodge novel. Turn the page, though, and a king cobra is about to strike, or a block of masonry to fall from a building and narrowly miss one or other of our principals."
''Amid the freak cyclones and oxygen-starved waters comes the story -- or stories -- of migration across the ages; tales of escapology, of deprivation and persecution, of impossible yearnings for a new world that bring us, inexorably, to the terrified refugees on the Mediterranean. Which is, perhaps, Ghosh’s essential point; a shaggy dog story can take a very roundabout path towards reality, but it will get there in the end. It has to, or we’re all doomed.''
Doomed, schmoomed. Nobody knows what the future holds, but climate change is real, and in this new novel, as Siobhan Murphy said in her review noted above, this time Dr. Ghosh turns his hand to cli-fi and it makes a new chapter in his work.
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After his epic Ibis trilogy, a rip-roaring, hugely detailed imagining of the Opium Wars, the Indian writer Amitav Ghosh turns his hand to ''cli-fi'' — ''climate fiction.''
''Gun Island'' by Amitav Ghosh
a new cli-fi novel reviewed in The Times of London
reviewed by Siobhan Murphy on June 7
Headlined: "Magic and Mangroves
''This tangled tale takes in the refugee crisis and climate change,'' says Siobhan Murphy in her review below
After his epic Ibis trilogy, a rip-roaring, hugely detailed imagining of the Opium Wars, the Indian writer Amitav Ghosh turns his hand to ''cli-fi'' — ''climate fiction.''
Gun Island blends Bengali folklore, the historical and present-day links between India and Venice, climate change, the refugee crisis, the power of storytelling and the supernatural in a tale that sometimes wobbles under the weight of such a load.
Dinanath Datta, known as Deen, is a seller of rare books living in New York City, who on a trip home to India humors an old aunt by taking a trip to the Sundarbans, the vast mangrove forest that lies on the Bay of Bengal.
Knowing his interest in Bengali folklore, she had entreated him to visit a shrine she remembered glimpsing there, dedicated to the ''Bonduki Sadagar,'' or The Gun Merchant.
Legend told how the Bonduki Sadagar was chased across strange lands by the snake goddess Manasa Devi, whom he had angered, meeting all manner of calamities until he was saved by a miraculous intervention of nature and returned home a rich man.
The bookish Deen, initially reluctant about the trip, becomes fascinated by what he discovers and begins picking apart the clues in the legend that reveal it could be a true story. Meanwhile, strange events and coincidences — and a preponderance of venomous beasties — start encroaching on his life, shaking his faith in himself as “a rational, secular, scientifically minded person”. [MORE SCROLL DOWN]
The marine biologist named Priya (a character from Ghosh’s 2004 cli-fi novel The Hungry Tide) tells him there is a logical explanation for deadly spiders in Venice and yellow-bellied sea snakes off Venice Beach in Los Angeles; climate change is pushing these creatures to more northerly regions.
But his old friend Cinta, an Italian professor of history, believes in more supernatural causes and that stories from the past contain something “elemental and inexplicable” that can be unleashed.
Through her, Deen starts to see the parallels between the tale of the Bonduki Sadagar and our present day – how the 17th-century merchant’s world was being rocked by the climatic disturbances of the Little Ice Age, and how this ancient traveller’s voyage has much in common with those being made by the refugees flocking to Europe.
Called to Venice to help a documentary-maker make contact with the many Bengalis now in the Italian seaside and canal-linedcity, Deen is plunged into the middle of the refugee crisis in the Mediterranean, as all eyes turn to one overcrowded boat that the Italian government has vowed to refuse a safe port.
Flitting across continents, Ghosh deftly summons up a pungent sense of place, whether in the mangrove swamps of Bengal or the misty, cobbled streets of Venice. The past lurks convincingly in the present.
However, you can’t help feeling bashed over the head by all the talk of cyclones, wildfires, oceanic dead zones, dolphin beachings and flooding crises.
And with such a host of characters representing opinions or merely in place to move the plot along, the narrative, and particularly the dialogue, are often stilted.
As such, sadly, ''Gun Island'' is more a fusillade of finger-wagging than a display of sniper-like precision. Gun Islandby Amitav Ghosh,
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